#Youtube Khmer Song Sin Sisamouth Skin And Face#

His father was a prison warden in Battambang Province and was then a soldier during the Colonial Cambodia period. 1He was the youngest of four siblings, with one brother and two sisters. Sinn Sisamouth was born in Augin Stung Treng Province, the son of Sinn Leang and mother Seb Bunlei.

Youtube Khmer Song Sin Sisamouth Skin And Face

One or both of Sisamouth's parents were partially Lao. Nowadays, most of the young people in the new generation have never known or Sinn Sisamouth was born in Stung Treng Province, the son of Sinn Leang and mother Seb Bunlei. In Khmer it means the charming eyes that attract all the men around with the beautiful skin and face.Be happy with this slow music to share the sentimental to all listeners.

Around this time, Sisamouth married his cousin Keo Thorng Gnu in an arranged marriage, and they eventually had four children. He initially worked in a Phnom Penh hospital as a nurse, but was soon hired by the Cambodian national radio station as a singer with its band. But during the era of Sin Sisamouth, Ros Serey Sothea, Pan Rom, or Huy Meas, alongside copying, was their own unique culture of creative originality.Sisamouth graduated from medical school around the time that Cambodia gained independence from France in 1953. Even Sinn Sisamouth had gotten in trouble for singing one of the French songs in Khmer. He began composing his own songs around this time. At about age 16 he graduated from primary school and moved to Phnom Penh to study medicine this plan was apparently meant to please his parents when his true goal was to become a musician.

By the late 1950s, Sisamouth had established himself as the leading figure in an expanding Cambodian pop music scene. Sisamouth became known for his crooning voice, which has been likened to that of Nat King Cole, while his stage presence has been compared to that of Frank Sinatra. In the mid-1950s, the romantic ballad ' Violon Sneha', composed by violinist Hass Salan, catapulted Sisamouth into stardom across Cambodia. He also achieved hit songs on national radio around this time, first writing and performing songs based on traditional Khmer music. The Queen invited Sisamouth to join the Vong Phleng Preah Reach Troap (the classical ensemble of the Royal Treasury) with which he performed at royal receptions and state functions.

For example, starting in the mid-1960s he recorded many popular duets with Pen Ran. He also wrote songs for, and duetted with, other popular Cambodian singers to nurture their careers. He collaborated directly with Mao Sareth and Chounn Malay, among others. Nevertheless, his popularity did not eclipse that of other recording artists such as Eum Song Seurm and Huoy Meas.

Also in Don't Think I've Forgotten, Sisamouth's son states that many different people have given him contradictory stories of his father's death. In the film Don't Think I've Forgotten, an interview subject speculates that Sisamouth was originally evacuated to a small village but was then ordered to return to the city to work for the Khmer Rouge in some capacity, but it is unknown if he in fact followed this plan. Due to his ongoing popularity with the Cambodian people, there has been a great amount of speculation about his whereabouts after the Khmer Rouge forced the evacuation of all residents from Phnom Penh on April 17, 1975, and his apparent death at the hands of the new regime. His career would continue until the Khmer Rouge captured Phnom Penh in April 1975.Sinn Sisamouth disappeared during the Khmer Rouge genocide and his exact fate has never been confirmed, with multiple sources making contradictory claims. During the Cambodian Civil War in the early 1970s, Sisamouth was a supporter of the Khmer Republic military and recorded patriotic songs supporting the Republic's stance against the Khmer Rouge insurgents. By the 1970s he was working regularly with lyricist Voy Ho, and had adapted some traditional and popular Thai songs into his repertoire (for example, 'Promden Jet' with Ros Serey Sothea).

Western listeners were introduced to his work starting in the late 1990s with the release of the Cambodian Rocks bootleg album, followed by the soundtrack to the film City of Ghosts.Because his influence on Cambodian music was so great, Sisamouth is still a household name in Cambodia and remains popular to this day. Some of his songs have been covered by modern Cambodian singers, such as 'Srey Sros Khmeng' by Suong Chantha in 2002. However, collectors and entrepreneurs located and reproduced copies of some of his recordings after the fall of the Khmer Rouge in 1979. Whatever the cause, Sisamouth almost certainly died during the Khmer Rouge regime but his remains have never been discovered.Sample of Sinn Sisamouth's 'Srolanh Srey Touch' from the Cambodian Rocks compilation.Problems playing this file? See media help.Many of Sinn Sisamouth's master recordings were either destroyed by the Khmer Rouge regime in its efforts to eliminate foreign influences from Cambodian society, or were lost due to decay. In 2009, Sisamouth's son claimed to know the name of his father's executioner and that the person was still alive. In 2006, Khmer Apsara magazine granted a long interview to a man named Keo Chamnab who claims to have seen Sisamouth's execution at a jail in Prek Ta Duong village in 1976.

While Sisamouth is believed to have written well over one thousand songs, most have been lost while others that survived were copied and sold without any benefits going to his family. Often called the 'King of Khmer music,' 'the Cambodian Elvis,' or the 'golden voice,' his lasting cultural impact is difficult to overstate. The film takes its title from a Sisamouth song.

Sisamouth's son Sinn Chanchhaya became a singer for the Cambodian Radio, though he admitted he could not be compared to his father. However, the nation of Cambodia has also claimed Sisamouth's songs as state property, in another indication of his popularity and influence. The event was commemorated with a celebration and tribute concert. In 2014, Sisamouth's family provided proof of composition and was awarded copyright ownership for over 180 songs.